Bach Bibliography Search Result

Series : ^[ce]Late18cComposers_CPEB$
Year : 2015
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Oleskiewicz, Mary	Like father, like son? Emanuel Bach and the writing of biography. Repr. from T. Donahue ed., Music and Its Questions (2007), pp. 253-279.	[ce]Late18cComposers_CPEB			2015	23-50
	2.	Spányi, Miklós	Appreciating the music of C.P.E. Bach today. Repr. from Tangents: The Bulletin of the Boston Clavichord Society, 36 (2014), pp. 1, 4.	[ce]Late18cComposers_CPEB			2015	3-4
	3.	Schering, Arnold	C.Ph.E. Bach und das redende Prinzip in der Musik. Repr. from Jahrbuch der Musikbibliothek Peters, 45 (1938), pp. 13-29. Trans. by the editor as 'Carl Philipp Emanuel Bach and the 'Rhetorical Principle' in Music'	[ce]Late18cComposers_CPEB			2015	5-22
	4.	Wollny, Peter	C.P.E. Bach, Georg Philipp Telemann und die Osterkantate 'Gott hat den Herrn auferwecket' Wq 244. Repr. from in Paul Corneilson and Peter Wollny (eds), 'Er ist der Vater, wir sind die Bub'n': Essays in Honor of Christoph Wolff. Ann Arbor, MI: Steglein (2010), pp.78-94.	[ce]Late18cComposers_CPEB			2015	51-68
	5.	Clark, Stephen L.	C.P.E. Bach as a publisher of his own works. Repr. from in Hans-Günter Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa. Bericht über das Internationale Symposium vom 8. März bis 12. März 1994 im Rahmen der 29. Frankfurter Festtage der Musik an der Konzerthalle 'Carl Philipp Emanuel Bach' in Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte, Sonderbaud 2. Frankfurt (Oder): Kouzerthalle 'Carl Philipp E1nanuel Bach' (1998), pp. 199- 211.	[ce]Late18cComposers_CPEB			2015	69-82
	6.	Berg, Darrell M.	Carl Philipp Emanuel Bachs Umarbeitungen seiner Claviersonaten. Repr. from Bach-Jahrbuch, 74 (1988), pp. 123-61.	[ce]Late18cComposers_CPEB			2015	83-122
	7.	Wade, Rachel	Carl Philipp Emanuel Bach, the restless composer. Repr. from in Hans Joachim Marx (ed.), Carl Philipp Emanuel Bach und die europäische Musikkultur des mittleren 18. Jahrhunderts: Bericht über das Internationale Symposium der Joachim Jungius-Gesellschaft der Wissenschaften Hamburg 29. September-2. Oktober 1988, Göttingen: Vandenhoeck & Ruprecht (1990), pp. 175-88.	[ce]Late18cComposers_CPEB			2015	123-138
	8.	Parkinson, John A.; Baldwyn, Rodney	Two notes on C.P.E. Bach. Repr. from The Musical Times, 105/1461 (1964), p. 839.	[ce]Late18cComposers_CPEB			2015	139-140
	9.	Helm, Eugene	The 'Hamlet' fantasy and the literary element in C.P.E. Bach's music. Repr. from Musical Quarterly, 58 (1972), pp. 277-96.	[ce]Late18cComposers_CPEB			2015	141-160
	10.	Fox, Pamela	Toward a comprehensive C.P.E. Bach chronology: Schrift-Chronologie and the issue of Bach's 'late hand' / Repr. from in Hans-Günter Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa. Bericht über das Internationale Symposium vom 8. März bis 12. März 1994 im Rahmen der 29. Frankfurter Festtage der Musik an der Konzerthalle 'Carl Philipp Emanuel Bach' in Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte, Sonderbaud 2. Frankfurt (Oder): Kouzerthalle 'Carl Philipp E1nanuel Bach' (1998), pp. 306-323.	[ce]Late18cComposers_CPEB			2015	161-178
	11.	Stevens, Jane	Untitled introductions to two audio CDs containing recordings of Bach's keyboard concertos and ensemble sonatinas. Repr. from in Carl Philipp Emanuel Bach: The Complete Keyboard Concertos, vol. 3 (Djursholm: Grammofon AB BIS CD-767, 1996), pp. 4-6, and vol. 9 (Djursholm: Grammofon AB BIS CD-868, 2000), pp.3- 5.	[ce]Late18cComposers_CPEB			2015	179-184
	12.	Richards, Annette	Picturing the moment in sound: C.P.E. Bach and the musical portrait. Repr. from in Thomas Donahue (ed.), Essays in Honor of Christopher Hagwood: The Maestro's Direction, Lanham, MD: Scarecrow Press (2011), pp. 57-89.	[ce]Late18cComposers_CPEB			2015	185-218
	13.	Wollenberg, Susan	A new look at C.P.E. Bach's musical jokes. Repr. from in Stephen L. Clark (ed.), C.P.E. Bach Studies, Oxford: Clarendon Press (1988), pp. 295-314.	[ce]Late18cComposers_CPEB			2015	219-238
	14.	Corneilson, Paul	C.P.E. Bach's evangelist, Johann Heinrich Michel. Repr. from in Paul Corneilson and Peter Wollny (eds), 'Er ist der Vater, wir sind die Bub'n': Essays in Honor of Christoph Wolff. Ann Arbor, MI: Steglein (2010), pp. 95-118.	[ce]Late18cComposers_CPEB			2015	239-262
	15.	Wolff, Christoph	C.P.E. Bach's unknown late collections of songs. Repr. from in Hans-Günter Ottenberg (ed.), Kultur- und Musiktransfer im 18. Jahrhundert: das Beispiel C. P. E. Bach in musikkultureller Vernetzung Polen - Deutschland - Frankreich; Bericht über das Internationale Symposium vom 5. bis 8. März 2009 in Frankfurt (Oder) und Wroc³aw. Frankfurt (Oder): Musikgesellschaft Carl Philipp Emanuel Bach, 2010, pp. 255-268.	[ce]Late18cComposers_CPEB			2015	263-276	Latin 2
	16.	Will, Richard	Reason and revelation in C.P.E. Bach's resurrection oratorio. Repr. from in Annette Richards (ed.), C.P.E. Bach Studies, Cambridge: Cambridge University Press (2006), pp. 84-115.	[ce]Late18cComposers_CPEB			2015	277-310
	17.	Christensen, Thomas	C.P.E. Bach's Versuch and its context in 18th-century thorough-bass pedagogy / Repr. from in Hans-Günter Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa. Bericht über das Internationale Symposium vom 8. März bis 12. März 1994 im Rahmen der 29. Frankfurter Festtage der Musik an der Konzerthalle 'Carl Philipp Emanuel Bach' in Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte, Sonderbaud 2. Frankfurt (Oder): Kouzerthalle 'Carl Philipp E1nanuel Bach' (1998), pp. 352-377.	[ce]Late18cComposers_CPEB			2015	311-336
	18.	Mitchell, William J.	Modulation in C.P.E. Bach's Versuch. Repr. from in H.C. Robbins Landon and Roger Chapman (eds), Studies in Eighteenth-Century Music: A Tribute to Karl Geiringer on His Seventieth Birthday, London: Allen and Unwin (1970), pp. 333-342.	[ce]Late18cComposers_CPEB			2015	337-346
	19.	Kramer, Richard	The new modulation of the 1770s : C.P.E. Bach in theory, criticism, and practice. Repr. from Journal of the American Musicological Society, 38 (1985), pp. 551-592.	[ce]Late18cComposers_CPEB			2015	347-388
	20.	Schenker, Heinrich	Die Kunst der Improvisation. Repr. from in Das Meisterwerk in der Musik, vol. I (Munich: Drei Masken, 1925), pp. 11-40, translated by Richard Kramer as 'The Art of Improvisation' in William Drabkin (ed.), The Masterwork in Music, Cambridge: Cambridge University Press, pp. 2-13.	[ce]Late18cComposers_CPEB			2015	389-412
	21.	Christensen, Thomas	Nichelmann contra C.Ph.E. Bach: harmonic theory and musical politics at the court of Frederick the Great. Repr. from in Hans Joachim Marx (ed.), Carl Philipp Emanuel Bach und die europäische Musikkultur des mittleren 18. Jahrhunderts: Bericht über das Internationale Symposium der Joachim Jungius-Gesellschaft der Wissenschaften Hamburg 29. September-2. Oktober 1988, Göttingen: Vandenhoeck & Ruprecht (1990), pp. 189-220.	[ce]Late18cComposers_CPEB			2015	413-446
	22.	Hogwood, Christopher	"Our old great favourite" : Burney, Bach, and the Bachists / Repr. from in Annette Richards (ed.), C.P.E. Bach Studies, Cambridge: Cambridge University Press (2006), pp. 221-250.	[ce]Late18cComposers_CPEB			2015	447-476
	23.	Schulenberg, David	When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. Repr. from in Bernard Brauchli, Susan Brauchli and Alberto Galazzo (eds), De clavicordio IV: Proceedings of the IV International Clavichord Symposium, Magnano, 8-11 September 1999, Magnano: Musica Antica a Magnano (2000), pp. 37-52.	[ce]Late18cComposers_CPEB			2015	477-492
	24.	Spányi, Miklós	Performers remarks for four audio CDs containing recordings of Bach's keyboard concertos and ensemble sonatinas. Repr. from in Carl Philipp Emanuel Bach: The Complete Keyboard Concertos, vol. 1 (Djursholm: Grammofon AB BIS CD-707, 1995), pp. 6-7; vol. 5 (Djursholm: Grammofon AB BIS CD-785, 1997), pp. 6-9; vol. 9 (Djurshohn: Grammofon AB BIS CD-868, 2000), pp. 6-8; and vol. 17 (Djursholm: Grammofon AB BIS CD-1687, 2009), pp. 7-9.	[ce]Late18cComposers_CPEB			2015	493-498
	25.	Schulenberg, David (ed.)	C. P. E. Bach. Farnham: Ashgate [2015], xxxv, 505p. ISBN: 978-1-4724-4337-3. (= The late eighteenth-century composers.) - Abingdon: Routledge, 2016.	[ce]Late18cComposers_CPEB			2015	xxv, 505p